春假

影片导演真实的还原了美国大学生们的春假状态，阳光沙滩，猛男裸女，一直特别喜欢这些表现年轻人生活状态的电影，虽然它们的剧情往往比他们的青春更空虚。

但看多了大银幕上那些自以为聪明的少妇浓妆艳抹的演少女，还是觉得这些做着不可思议傻事的姑娘们更美妙，《春假》不是一部好故事片，但却是一部可以唤醒青春感的电影。

"Yeah,Mom,it was really great.I think we found ourselves here.We finally got to see some other parts of the world.We saw some beautiful things here.Things we'll never forget.We got to let loose.God,I can't believe how many new friends we made.Friends from all over the place.Everyone was so sweet here,So warm and friendly."春假应该是这样的。

但是，它没有。

青春从来都不是唯唯诺诺地活在自己的小世界里，它应该是打家劫舍轰轰烈烈。

其实这根本就不是一部冗长的MV，而是一部疯狂迷幻又充满哀伤的文艺片。

像德国导演赫尔佐格所说，哈莫尼·科林发出的是把自己放在崭新位置的新一代电影人的清晰的声音，它永远不会成为世界电影主流，但这又怎样？

他的电影是你永远不可能在其他地方看到的电影。

我并不是推崇青春就应该充满暴力充满毒品充满性，我一开始也以为这是一部荒诞的喜剧，但终究在最后的自白中不能自已。

青春就是一场迷幻里的逃亡，从现实里脱离出来只为寻找自由的自己。

如影片中一开头教授说“今天，我们要改变下话题，谈一些更深刻的，更难以做到的事情，比如民权运动或者黑人争取自由...”所以一开始，这部影片就只表明了它只想阐述一个深刻而难以做到的事情，那就是自由。

无论这部影片有几个主角，我都只看到了一个人，一个人的思考，一个人的追求，一个人的抢劫，一个人的逃亡，和一个人在追求自由与美好时却一次次地被现实扇耳光。

这个电影讲述的就是一个人的故事。

这个人，她有理性的一面有感性的一面，她有信仰有梦想，她相信美好却又害怕伤害，她看起来很坚强其实很脆弱，她向往自由热爱乌托邦。

Faith，代表着信念和信仰。

没有信仰在场，所以与大麻作伴纸醉金迷，亦幻亦醒只为了逃避现实的生活。

没有信仰在场，才努力说服自己像一个电影演员一样去犯罪。

当带着信仰逃离了现实的生活，短暂的快乐总是让人留恋，“如果我们能冻结生命，就像，我们只需要点一下，就能冻结住，然后说，这就是使之永恒的方法。

”Faith在泳池中这样说过。

但是生活永远不会赋予任何人这种永恒的方法，信仰开始使自己迟疑，像主说的“当你被诱惑时，他会提供一条出路”，Faith选择了回家选择了主给自己的出路，回家的大巴再不像来时的欢声笑语，而Faith开始思考自己，思考原本她想好的却没有实现的结局。

为了自由只能抛开信仰，然而这到底是正确还是错误的选择？

为了自由还得继续走，会在未来的日子里怀念信仰。

当金钱为一个没了信仰的人口交，那个人自然会沉迷于金钱中不可自拔，于是金钱就像第二个信仰一样成为了这个人的灵魂伴侣。

于是她得带着金钱去惹一些麻烦，去做自己从来没想过的事，只为证明自己那一点点可怜的勇气。

“Everytime”一响起，暴力的抢劫画面穿插着夕阳海边抬着枪共舞，像是一种勇敢和柔情共存，又像是一种自我乞怜，如同歌词里的“每次我试图去飞翔，我都因为没有翅膀而降落，我那么弱小，我需要你...”需要更多的勇气，或者是已经失去的信仰。

现实狠狠地还击，cotty因为受到伤害而选择退出。

像之前的Faith一样，一样安静的大巴，一样思考自己的选择。

抛开心中的信仰和所受的伤害，一路向前。

因为迟疑而一遍遍问自己：you gonna do this or what?心底又传来另一个声音说着：You're scared,aren't you?Scaredy pants!其实很简单，她只想做一个简单的好女孩，一个可以开心地玩得开心的好女孩。

或者说，心里有个完美的美国梦，自由美好而不是充满毒品，暴力，恐惧，疑惑，逃避的人生。

“I know we made friends that will last us a lifetime.We met people who are just like us,People just the same as us.Everyone was just trying to find themselves.It was way more than just having a good time.We're different people now.We see things differently.More colors,more love,more understanding.God,it was so nice to get a break from reality for a while.I know we have to go back to school,but I'll always remember this trip.Something so amazing.Magical.Something so beautiful.Feels as if the world is perfect,like it's never gonna end."Alien轻易地死在了第一颗子弹下，像是恐惧被完全的丢开，能更好地去面对真正的自己。

当转身看着经历的一切，那些以为的美好和真正的现实其实早就改变了自己，让自己更懂得什么是爱，什么是追求，什么是理解，什么是自己想要的，什么是自由。

Candy和Brit在最后吻了躺在地上的Alien，像是祭奠一下那个曾经的自己，然后潇洒地离开，潇洒地醒来。

春假就是一场关于青春的梦，亦幻亦醒，没有规则没有头绪。

直到该你醒来，你都醒不过来。

Spring break,bitches!Spring break forever。

很喜欢这部电影但是不能很好概括感受，贴两篇感觉表达的很好的影评User ReviewsA sometimes thrilling, very hypnotic, poignant piece of filmmaking.28 March 2013 | by grounden1985 (United States) – See all my reviewsI can't describe the elation I felt leaving Spring Breakers--truly one of the best films to hit mainstream cinemas in a long time. It was a breath of fresh air amidst all the cookie cutter romantic comedies, dramas, action films, and horror movies that plague modern cinema. The stamp of a good film is the impact factor--how long it stays with you when it's over. Spring Breakers was a film that stayed with me long after leaving the theater. It didn't evaporate from my mind as soon as I hit the parking lot. This film affects you and leaves you in a mood long after the credits appear.Those seeking a fun "party film" will be disappointed. The TV ads, poster, and cast have probably misled some viewers into thinking this is a cross between The Hangover and Project X. Don't let the cast or the marketing fool you--this is not a "feel good" movie. It's a dark, exciting, tragic look at modern youth culture that doesn't so much as revel in the pop culture sensory overload as hold up a mirror to the audience so we can see some of ourselves in these kids. And if you're like me, you'll find this kind of self-reflection very disturbing. More than once, I was disgusted and enthralled with these characters, not knowing whether I should feel amused, angry, or sad. This is truly the best deconstruction of modern culture I've seen.The movie starts with our main quartet of female characters struggling to find a way around the fact they don't have enough money to travel to Florida for that much-hyped, almost mythical annual rite of passage nearly every college kid in the country has to face at some point: spring break. Selena Gomez is easily the most likable member of the cast--a young girl struggling to balance her Christian faith and values in the moral wasteland that is college life. One moment we see her praying in church, and the next she's passively condoning the fact that her friends have just robbed a restaurant in order to obtain the rest of the money they need to make it to Florida. In one poignant monologue, she speaks of the monotony of life and how everyone is depressed because they wake up and see the same things every day. Her desire to go on spring break is almost spiritual in nature--a soul-searching journey in which she just wants to be someone new and be free.The spring break party scenes are manic--loud music, hypnotic imagery, and disorienting colors all come together like some kind of dream. The fun soon ends once the girls are arrested for using narcotics at a wild party. They have two options: pay a fine, or remain in jail for another two days. Out of money and unwilling to call their parents, the girls languish in jail until a mysterious visitor posts their bail. Enter James Franco as Alien, a white gangster with gold teeth, dreadlocks, and a ton of money and guns to go along with his criminal tendencies. Franco truly breaks out in this performance, becoming someone I never could have imagined he'd be able to pull off back in his Spider-Man days. His intentions are murky and the film never misses an opportunity to make us feel uncomfortable witnessing his interactions with the girls. It's at this point that the film takes a drastic turn into even darker territory, the trip slowly proving itself to be more than a few of them bargained for. Thus begins the tragic slide into the dark nature of these characters, as they find themselves participating in and doing things bound to seduce the audience into an awe-struck state more than once.Not that any of this is told through a conventional narrative. The whole film feels like one crazy, hypnotic dream, from its use of colors to its loud, insane score that ranges from romping party fun to atmospheric, moody pieces that underline the darker moments in the film. The narrative jumps around in time and space, pasted together through flashbacks, flash forwards, and repetitive lines that linger in the back of the viewer's mind like a broken record. The cinematography is flat out excellent and the filmmakers make perfect use of the beautiful Florida scenery amidst all the sheer depravity we witness on screen, with more than a few shots of the beautiful Florida sky and sunset to remind us of our humanity.By the time the film reaches a delirious montage of violence set to the unlikely tune of Britney Spears' song Every time, Korine has us hook, line, and sinker feeling a sense of revulsion and pity for ourselves and the world at large. Any film that can provoke this type of uncomfortable self-contemplation deserves to be praised.In the end, I left the theater feeling like I'd just come off an intense acid trip into the darker recesses of modern culture, emotionally exhausted and ready to get in my car and drive home in silence, reflecting on what I'd just seen.If you're not expecting to have fun and aren't afraid to look inside yourself to that aspect of your personality that craves materialism and vapid entertainment at the expense of losing some of your humanity, go and see Spring Breakers. It's truly one of the best films of 2013 (so far) and will no doubt be a cult classic in years to come. Just don't blame me if the film haunts you long after it's over.Going to be the most hated and yet underrated film to come out this year - Korine at his finestAuthor: thejoshl from Toronto, ON1 April 2013Mr. Korine is a strangely unique director that uses this film to bore you into understanding how a generation growing up with MTV and girls gone wild has deeply mutilated the pursuit of happiness with nihilistic extremity — however his satirical exploration leaves you uncertain whether to laugh, cry out in horror, or stare in disbelief at its overwhelmingly artistic beauty.I watched this opening night and was shocked at how good of a movie it had turned out to be. I wasn't really sure what to expect when I walked in so it turned out to be a nice little treat, but to my disbelief when I got home I began reading up on it and all I could see were tweets and posts about it being the "worst movie ever made" and "absolutely disgusting soft core porn". I couldn't believe that these people watched the same film I did.As far as performances go there isn't much here other than Franco. The four girls do a decent job, the most notable being Selena Gomez although her character wasn't in it for a lot of the highly regarded scenes. James Franco is the star of this film. His performance is dark, uncomfortable and most of all hilarious. He hits it out of the park in the movie managing to make people unsure whether to be uncomfortable or laugh. His character is narcissistic and insane, yet you like him. He brings so much humanity to a place it shouldn't be.Aesthetically, this movie is absolutely brilliant. The cinematography is fantastic. No matter how you feel when you leave this movie there is no denying how well shot it is. The lighting is beautiful and adds this feeling of darkness you might normally find in a well made horror film. Normally I wouldn't appreciate that very much but it was so properly executed with the great editing and slo-mo sequences. No surprise from the sound department either; the sound design and music brought to us by the brilliant Clint Martinez (Drive) makes what seems like a never-ending soundtrack that compliments the visuals masterfully.Under all that the movie still manages to hit its theme, just in a way that a lot of people will miss and I believe this is the key to enjoying the film. It's meant to be boring. The use of repetition is so excessive it leaves a mark. No matter how much fun these girls are having it feels very dull and boring. This is the point! If you think for a second what you're seeing on screen is supposed to make you feel excited than go watch Project X. You're not intended to feel how the girls feel because they don't understand. Throughout the film you should feel uncomfortable, disgusted and at times sad. This film (to the right audience) should be as much a horror film as it is a dark comedy.Spring Breakers is a unique experience featuring lots of depth and style. This film will most likely be the most hated and underrated film to come out this year. I apologize on behalf of the general public Mr. Korine.(8/10)On a side note:The film has been said to support rape culture. I know it can be hard to understand for some people but sometimes film - like a person - uses sarcasm. This is the case. The film shows lots of naked females having fun, very much trying to replicate spring break culture in Florida however the film isn't a mockery of spring break, it's about the marginalized kids who have been brought up on Disney princesses and MTV. The kids who grew up with role models like Paris Hilton and Lindsay Lohan. The film isn't meant to focus on girls losing their innocence but instead girls searching for something and realizing it isn't what they thought it was. Spring Breakers is going to cause a lot of disagreement regardless. After reading this you will love or hate it all the same; what I won't stand for is people being unwilling to look past the surface and see this film for what it really is. Be sure to check out my review site: thejoshlreviews.com

这部电影打着赛琳娜戈麦斯和瓦妮莎哈金斯的旗号进行宣传，前期着重刻画了一下赛琳娜扮演的菲丝，但是电影中间稍后一点菲丝就退出了，一直是不定犹豫柔弱的性格，想突破又不敢有太大动作。

而瓦妮莎和另外两个女主角有点淡化了，最后一路陷到底的是瓦妮莎和其中一个女孩，对瓦妮莎刻画不够，影片的拍摄手法很奇异，不断重复再回来再重复的镜头，有点困惑

若觉得自己在看一部超长MV的话，你就不用怀疑了，这绝对是Harmony Korine的电影。

如梦、如幻、如诗，如斯风格由始至今都没改变过，早期的金毛、Dogme手提摄影，再到致敬偶像明星的《寂寞先生》，鲜明的作者标志从未褪色。

空镜头、超慢摄影、声画分离、时空交错的剪接技术，统统都让观众迷失在近乎零度叙事的美丽画面中。

而这部新作绝对算得上是一个最为完整和流畅的“故事”。

很少会有导演这样处理青春题材，我能想到的只有那部怪怪经典Ghost World。

青春期的自由、疯狂、迷茫、黑暗、冒险和执著在散文诗一般的叙事里诠释得淋漓尽致。

这回MV手法的作用丝毫不见突兀，甚至跟这种题材是天作之合，足以见证Harmony Korine的作者风格日臻成熟，达至撼动心灵的美学层次。

四人围着钢琴弹奏演唱Everytime的一幕竟然让我意外地触动不已。

我还真没听过小甜甜布兰尼有这样一首动听的好歌，正如当初在《金毛正传》里听到那首经为天人的Crying之后，才知道世上有一位名叫Roy Orbison的巨星！

当然，剧中男主角的某些夸张过火的演绎让我难以忍受，挑刺的话也只能由此下手。

我的理解里，本片想利用类似《霓虹恶魔》里鲜艳的色调和混剪表达青春里对纯粹的假期、快乐、放松、激情、欲望、陶醉等等的意识流。

但这道题太难了，所以影片看起来好像除了最后的枪战根本没剧情，空洞且莫名。

没什么比在肉体和思想都还没开始腐烂前，去享受这个世界美好的一面更快乐的事了。

而青春，总好像在你圈起美钞，瞬间吸入那一条，迷幻且快乐。

而当你清醒时，青春已经结束了。

当年那份纯粹的快乐，再也找不回来了。

哪怕你有幸日后可以经常坐着私人飞机，出入各种高级场所，和那一瞬的纯粹都不可比拟。

你只是在用物质堆满你越来越苍老和空洞的内心，麻醉着告诉自己，世界也就这样了。

另一个略有意思的点在于，无论是片头片尾刻意做出的特效字幕，还是少女们在一起的欢愉，都闪烁着霓虹的鲜亮光芒。

这区别于张艺谋导演喜欢和擅长运用的大片自然色。

我的理解里，剧中的配色寓意着，这份快乐是带着浓郁的商业色彩的，就像所有夜店门口的logo灯带一样。

绝大多数的年轻人都不是b站的后浪，没有含着金汤匙出生，这份快乐很纯粹，让人着迷，却总得有人买单的。

笼罩上这层属性，青春也就不再纯粹。

无论如何，拍成这样的意识流注定是不讨好的，这显然不如弄成三段式，让扮相惊艳的nigger弗兰克用毒品和金钱吞噬少女们，其实就是利用她们给自己干脏活。

一开始少女们如鱼得水，活儿干的轻松，钱来的容易，日子过得奢华惬意。

而接下去情况急转直下，在对手的反攻中，少女A被意外击毙。

少女B说动少女CD回家，回到现实。

而正当CD被说动时，弗兰克原形毕露，气急败坏，挟制少女们准备鱼死网破。

少女B惊险逃脱，在最后一亿发子弹互射的高潮戏之后，少女B带着正义的象征JC迟迟赶到。

如果这样拍，至少是部合格的爆米花，也更容易讨好一般的受众。

所以我还是给导演的尝试与探索加分。

流魔鬼血液的女子，把爱做尽，持枪，比基尼，青春便算是同样疯狂的事情的延续、持续，不腻烦不厌倦不畏惧、流光溢彩，外星人用金钱、枪支、毒品掩饰之下的沉重畏惧、电影里不断重复的对白“你害怕了吗”“胆小鬼”，然后春假把他用一颗子弹的方式隔绝出去，如梦幻一般，如梦幻一般，是对现实的一种逃避，恰似在毒品的作用之下干极致癫狂的事情，把一切理所当然化最终的漂浮的粉红头套，两颗亦是有疼需要依赖的心灵，敞篷车上风拂过的并不是笑意的两张脸，“只需按下按钮，时间便可以停滞下来”，faith说后她们笑了，没有信仰，价值与人性的真空地带，影片把青春与犯罪结合，她们选择自己去拓宽青春于永远埋藏自己，杀戮逃亡于自己的青春，并不是一个按钮那么简单、也许终将仍会是那辆巴士，带你走来也做好带走你的准备，每天都会有班次等待，来的和走的风景，瘫躺于座椅之上的疲惫身躯，算是复苏还是坠降

前面的二十分钟的确像是某个烂MV导演琢磨着要翻身的拼图游戏。

直到一口金牙的兰兰满口黑人腔地进入了主场——故事真正开始的一刻。

关于迷茫与欲望，挣脱现实的疯狂青春，本片对我而言像是是暴力幻觉版的《救生员》。

都是在讲青春那颗浮躁，愤怒却敏感异常，想要勇敢出逃然而被不安和怯懦蒙蔽的心。

导演全篇运用明艳抢眼的亮色，和重叠交错的剪辑手法，慢镜头下的快节奏，以及清澈动人的歌声中出现的浑浊糜烂生活......这一系列的有意安排使导演所要表现的意图突显——矛盾，或许这就是整个春假的开始和过程以及结果，也即其全部意义所在。

青春短促，可是春假可以永恒。

兰兰的男主角虽然已与青春渐远，可是他却如自己所言保持着一股不可思议“外星人”般的年轻气息。

詹姆斯整体表演饱满到位，创造出一个令人惊艳和惋惜的逼真人物，为全篇增强了寓言感和立体性。

堪称他从影以来，唯一可以和《嚎叫》中的优异表现划等线的上佳表现。

在《春假》里原本可以单纯的欢乐，却总有无法逃脱的意外，因此有人选择中途退场，有人宁愿坚守不渝。

可最后无论怎样青春的甜，青春的苦，都在不知不觉中输给了生活麻木的舌头。

导演是用心良苦还是纯粹玩票？

如果是前者我想问，Where’s the Punch Line?他想表达的东西被埋没在灯红酒绿，丰乳肥臀，以及佛朗哥自己都把持不住的骚气中。

仔细观察就会发现, 大部分台词都是以旁白形势出现，不知道是不是剧本内容不够， 各个角色都在不断重复自己的台词. 画面则更过，其中几个场景甚至几条镜头都在整部电影里不断重复出现，都是在气氛营造而非叙事. 不理解是导演对那记住画面太过依恋，还是footage是在不够用。

剪辑又来个Overlapping Editing，即把同一段内容反复穿插使用，可以把40分钟的内容拖长一倍。

举例说最明显就是片头沙滩party，那一片胸慢动作地在那晃来晃去，之后不断穿插回来，与剧情和人物都毫无关联, 场景中的群演也没有换过，每次画面里出现的都是同一群人，小样你把奶罩脱了我照样认识你！

片头出现的制片公司署名多到我已经记不全了，当然和国产片的出品单位个人数量还是没法比的。

这么多公司是否都参与制作，具体是把片子拆开一家做一段，还是合理而为，我不清楚。

灯光组倒是做得很统一，清一色午夜发廊的效果，大红大蓝就是没有自然光，上课的地方也是绿呼呼的。

以至于看了二十分钟我还以为是在看国产惊悚片。

叙事，我们就不聊了，因为没有。

用儿歌唱出来就是：Four little college girls, go to spring break,They got arrested, for doing co-canine,One was scared and went home, and then there were three,Three little girls went with Franco,One got shot, and then there were two.Two little girls not much left to do.They kill the black guy and then there were none.[曲调用Ten little indians]美国大学春假的背景知识每年三月美国大部分高校都放一周的春假(两个周末一共九天)，数以万计的大学party animals带着源源不断的荷尔蒙来到圣地佛罗里达。

三月的佛罗里达天气宜人，海滩壮丽，24全裸都不会感冒，此时此刻美国其他地区还在苦逼的经受严寒，甚至暴风雪，西岸的海滩也是冻得无法下水。

希望秀出巨乳和腹肌的学生们在此聚首，酒精和药物成为party上重要的催化剂。

很多时候，本片很像是科教频道的青少年犯罪预防教育片, 分成为：毒品的危害，青春期性教育，不结交不三不四的人，拉帮结派三五成群出入公共场所.文化层面上，简单描述了美国青少年的胸大无脑，暴力倾向严重等特殊国情。

演员方面， 佛朗哥自然是大亮了，他的表演牛逼还是傻逼只在一线之差。

如果问他“Do you know what are you doing?”他的回答即是上面的答案。

对于专业毒贩皮条这一类型化角色，他算是身形兼备了，可惜言语中透露出一股玩世不恭。

相比之下想到的是Robert Downing Jr. 在Tropical Thunder里面的专业角色.迪士尼是想把这几位姑娘推倒那条路上去？

是让她们拓宽戏路？

还是自绝后路？

在迪士尼的资本面前，她们应该是不用担心事业就此夭折的，只是本片很有可能成为她们演艺生涯中无关痛痒的一票。

注释：四个女孩三个出自迪斯尼：《美少女的谎言》《歌舞青春》《迪士尼儿童频道》，还有一个是导演老婆。

首先，对我个人来说力荐《Spring Breakers》这部电影.从每个主角鲜明的性格特点，眼花缭乱的服装和场景，到如海水般有激情有平坦的配乐，最后到这部电影的真实涵义，我觉得这部电影这的值得一看.我想大家已经从简介里得知这部片的大概内容了.有人说这是一部乱七八糟的电影，的确，这部电影似乎衔接部分很少，镜头换来换去，这样会给人感觉丧失主题，也就不象大部分电影一样，按顺序的记录一大堆事情.或许大多数人从这一方面看就觉得不是什么好片子.但我认为并非如此，面多这样的电影，主要从导演 哈莫尼·科林说起，1973年出生于美国加州的他，经历过美国的繁荣时期的起步直到现在.不难发现他的影片都是描述美国人的青春，都是用不寻常的手法来将其放在荧幕上，《Spring Breakers》也不例外，也正是因为这样很多的人都感到不解，特别是中国人.但在大部分美国人眼里，一定可以理解，所以我想为什么在美国这部电影可以受到如此大的好评和大赞，而在中国却显得有些冰冷.也真是因为如此，他一直是美国独立电影（摆脱“八大电影公司”的控制，自筹资金，甚至自己编写剧本，自己担任导演，拍出了许多与商业电影截然不同的思想性强的电影，被人们称为“独立电影”.）和艺术界的一抹异色，我很欣赏他是把自己放在崭新位置的新一代电影人的清晰的声音，这才是生活中的真实写照，抽象的反应了生活中的真实事物.说到《Spring Breakers》的描写手法，在本段的开头也大概的说明了，我想导演这样子来制作这部影片，也回归根本，抽象的反应了生活中的真实事物.可以这样说，现在的大多数美国青少年也就象这部电影的结构那么混乱潦倒，没有正常的顺序，就像电影中的那四位美人带着颓废（Faith还好，有自己的信仰，但还是有点叛逆）还有Alien的那几句“springbreakforever...springbreak forever...”.感觉对生活的新鲜感已经丧失了自我，不合法的满足让他们无所事事，不再有追求，虽然拥有了自己想要的springbreak，但是不在象从前的不断追求，一切都变得空虚.我想导演的用心之处就在于此吧！

所以说为什么美国人反而更懂呢？

这样的制作就反应了美国目前大多数青少年的生活状态，无序无聊，没有追求的物质生活.不仅仅乱在这里，还有在我们中国人眼里看起来更乱的，莫过于这部电影的大尺度和不良行为.一开头的大尺度一定会让我们看得目瞪口呆吧，不过在美国人眼里再正常不过啦还有什么吸毒的.乱搞的什么的，抢劫...其实在美国真的很真实.这种没有追求的物质生活是美国人的另一番真实写照，导演的别出心裁和用心良苦我觉得真是鹤立鸡群，独树一帜的.同时表示对这种颓废现象的无奈吧...也为我们的年轻人留下不同的启示.纯属本人看法，一百个人眼中有一百个哈姆雷特，欢迎大家沟通不同的看法啦啦啦也很欢迎大家纠错的